Other new automated processes include click repair, hum removal and precision spectral de-essing.
New in Version 7 is the implementation of Artificial Intelligence that allows for the introduction of exciting new features, including automatic pattern detection, clip repair, unmixing tracks to stems as well as unmixing stems to component parts. SpectraLayers offers a novel approach to precise audio editing by visualizing audio in the spectral domain (in 2D and 3D) and providing an array of powerful tools to manipulate its spectral data in many different ways. Steinberg today announced the immediate availability of SpectraLayers Pro 7 and SpectraLayers Elements 7, the audio editing software for music production, post-production, sound design, mastering and restoration. The seventh version of Steinberg’s SpectraLayers focuses on enhancing its powerful tool set by adding automatic processes through new Artificial Intelligence algorithms. Molding causes the frequency content of one sound to shape another for amazing vocoder-like effects you can use a vocal track to “mold” a synth track.State-of-the-Art Spectral Editing with New SpectraLayers 7 Something like a side chain, Casting causes the frequency content of one instrument to leave a “shadow,” a deficit of those frequencies in another instrument. A similar process is possible for removing or reducing reverb and now Casting and Molding are two brand new processes. Extraneous noises that appeared in the middle of syllables were removed without affecting the vocal sound quality. It was easy to scroll through a vocal track and deal with sibilants and other flaws.Ī vocal recorded in a closet had excessive low frequency rumble, so unlike using a high-pass filter, you can attenuate specific amounts at different frequencies of only the offensive moments. There are 25 real-time editing tools to attenuate or amplify certain frequencies as directly viewed on the display. You may separate into layers these audio components and then cut/copy/paste them into containers or into other layers.
Deconstructing sound by copying portions of the audio to editable layers has completely blown open creative sound design.
With SpectraLayers Pro 6 you may edit and modify recorded audio by viewing the time, amplitude, and frequency components of sound-a three-dimensional view of sound for editing that was heretofore impossible. It also operates as a standalone application and integrates very tightly into existing Cubase, Nuendo, HALion or WaveLab workflows. Steinberg’s SpectraLayers Pro 6 runs as a VST3 or AAX plug-in in both MACs and PCs and any DAW that supports ARA 2 (Audio Random Access).
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